Kundan and Meenakari are often spoken together, but they are not the same craft. Kundan is the technique of setting stones using highly refined, soft gold. Meenakari is the art of enamelling: colour fused onto metal with heat. Some pieces are purely Kundan. Some are purely Meenakari. Some combine both, because historically, master jewellers treated the front and the back as two canvases.
Two techniques, one sentence
Kundan sets gemstones in pure, soft 24-carat gold. Meenakari fuses vivid enamel colour onto metal with heat. Together they make jewellery that is worked on both sides: stones on the front, enamel on the reverse.
What Is Kundan?
Kundan setting is strongly associated with Mughal-era jewelled arts. It uses pure, soft gold ("kundan") to set gemstones, allowing jewellers to secure stones even alongside delicate enamelled surfaces.
Kundan is not expensive because it is trendy. It is expensive because it is labour-intensive, hand-finished, and can take weeks depending on intricacy. What you pay for is human hours rather than machine time, precision finishing, and a technique lineage passed down through artisan families and workshops.
How Kundan is made
- Framework creation. A metal base is formed with cavities for each stone.
- Filling and support. The cavity is filled with a traditional mixture, commonly shellac and antimony, and heated to support setting.
- Stone placement. Gemstones are pressed into place carefully while heat is controlled.
- Kundan work. Soft, refined gold is used to secure the stones with precision.
- Alignment and tightening. Micro-adjustments ensure stability and symmetry.
- Finishing. Polishing and refinement achieve the signature glow.
What Is Meenakari?
Meenakari is the craft of decorating metal with enamel ("meena") that is fused using heat, creating a glass-like layer of vivid colour. The art traces its roots to Persian enamelling traditions and later flourished in North India, with Jaipur becoming a major centre of the craft.
How Meenakari is made
- Surface preparation. The metal is cleaned and prepared for design work.
- Engraving. The design is carved so enamel can sit inside grooves.
- Enamel filling. Colour is placed into the engraved recesses.
- Firing. Heat fuses the enamel with the metal.
- Layering. Often repeated for depth and clarity.
- Polish and finish. Refined to a smooth, luminous surface.

Kundan-Only, Meenakari-Only, or Both
Kundan-only pieces prioritise gemstone setting and glow. Meenakari-only pieces prioritise enamel artistry: pattern, palette, story. Combined pieces treat the jewellery like a double-sided artwork, stones on the front and enamel on the reverse or surrounding surfaces.
How to Spot Quality in Kundan and Meenakari
- Clean stone seating and symmetry. Stones sit confidently; edges look intentional.
- Backside finishing. Especially if enamel is present, the detail should not disappear on the reverse.
- Enamel clarity. Smooth gloss, crisp boundaries, never muddy.
- Transparency of source. Who made it, where it comes from, and what technique it uses.
Every Gullye Kundan and Meenakari piece is hand-finished in small batches. The time in each piece is the point: it is what makes the glow.
Carry the kundan & meenakari jewelry
Kundan set and meenakari enamelled by hand, each piece carries a motif drawn from nature and the old courts.
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